基于对身体与世界关系的不同理解,旦用建筑学的西方术语描述中国园林,将导致认识论以及价值观的诸多迷十罔。文章试图从身体与世界合一的方位概念为基础,以阐明中国艺术在空间定位、园林经营、乃至艺术标准上,如何是今日建筑学类似概念所不能通化或简化的。
Due to a different comprehension on the relationship between body and the world, it usually lead to various perplexities in respect of epistemology and values when we try to describe Chinese gardens with terminology of western architecture.On the basis of the concept of syncretic relation between body and the world,the paper attempts to elaborate how the art of Chinese gardens,in terms of space orientation,garden operation and even artistic criteria,can not be analogized and simplified with analogous concepts in today's architecture.