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变与通的新主义——洛齐“书法主义”的佛学新启悟

变与通的新主义——洛齐“书法主义”的佛学新启悟

ISSN:1003-6113
2013年第2期
艺术研究
张乾元 ZHANG Qian-yuan
东南大学艺术学院,南京210096 ZHANG Qian-yuan

书法的变化之道遵循了天地人事变化之常道。“书法主义”试图在对“法”的理解基础上。再度强调“主义”的思想性、启迪性。它的变革意识的形成,从本质上恰恰是根植于中国书法变革之道的本体之上的。通过解读洛齐的《金刚经释书》书与文,可见出他的某种当代觉悟、布施精神和非相心愿,为其对“书法主义”的理解进一步拓宽和打通了思路。

The change of calligraphy follows common way of variations in universe. Luo Qi' s doctrine of calligraphy re-emphasizes the ideological content and spiritual illumination on the basis of understanding the "law", in which the sense of change takes root in the Chinese calligraphy itself. By interpreting Luo' s "Explanation of Diamond Sutra", we can see a certain awareness of his and the spirit of donation and therefore get a better understanding of his doctrine of calligraphy.

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ISSN:1003-6113
2013年第2期
艺术研究

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